Get Access Deception in the Twelfth Night: Many characters are very clear about who they are and what their motives are, while some are more manipulative. Orsino is a character in the Twelfth Night that is considered much understood.
Table of Contents Malvolio Malvolio initially seems to be a minor character, and his humiliation seems little more than an amusing subplot to the Viola-Olivia-Orsino- love triangle.
But he becomes more interesting as the play progresses, and most critics have judged him one of the most complex and fascinating characters in Twelfth Night. It is this dour, fun-despising side that earns him the enmity of the zany, drunken Sir Toby and the clever Maria, who together engineer his downfall.
When he finds the forged letter from Olivia actually penned by Maria that seems to offer hope to his ambitions, Malvolio undergoes his first transformation—from a stiff and wooden embodiment of priggish propriety into an personification of the power of self--delusion.
He is ridiculous in these scenes, as he capers around in the yellow stockings and crossed garters that he thinks will please Olivia, but he also becomes pitiable. He may deserve his come-uppance, but there is an uncomfortable universality to his experience.
Earlier, he embodies stiff joylessness; now he is joyful, but in pursuit of a dream that everyone, except him, knows is false. As he desperately protests that he is not mad, Malvolio begins to seem more of a victim than a victimizer. It is as if the unfortunate steward, as the embodiment of order and sobriety, must be sacrificed so that the rest of the characters can indulge in the hearty spirit that suffuses Twelfth Night.
As he is sacrificed, Malvolio begins to earn our respect. It is too much to call him a tragic figure, however—after all, he is only being asked to endure a single night in darkness, hardly a fate comparable to the sufferings of King Lear or Hamlet.
Malvolio remains true to himself, despite everything: Malvolio and the audience must be content with this self-knowledge, because the play allows Malvolio no real recompense for his sufferings. At the close of the play, he is brought out of the darkness into a celebration in which he has no part, and where no one seems willing to offer him a real apology.
His exit strikes a jarring note in an otherwise joyful comedy. Malvolio has no real place in the anarchic world of Twelfth Night, except to suggest that, even in the best of worlds, someone must suffer while everyone else is happy.Comparison between twelfth night play and Romeo and Juliet play The two plays Romeo and Juliet and The Twelfth night are both based on love stories by William Shakespeare.
In both cases, the play protagonists are young men who fall in and out of love with two beautiful women. There are also quite a few differences between She’s The Man and Twelfth Night.
Such as, in Twelfth Night, Viola discovers that Olivia fancies her, well her disguised self, in different ways. Twelfth Night is a lighter piece by William Shakespeare, and a good break from the usual tragedies and histories he is most well-known for.
The play challenges the traditional gender roles of the time by putting a woman (Viola) into a very convincing man’s disguise. Comparison between the two heroines of the play "Twelfth Night"(by William Shakespeare): Olivia and Viola.
William Shakespeare's Twelfth Night In Act 1, scenes , there are many ways to which these scenes provide an effective opening to the play. Individually, these scenes each serve a different aspect, which contributes to an effective opening.
But he becomes more interesting as the play progresses, and most critics have judged him one of the most complex and fascinating characters in Twelfth Night.
When we first meet Malvolio, he seems to be a simple type—a puritan, a stiff and proper servant who likes nothing better than to spoil other people’s fun.