The simpsons essential television essay

Get Full Essay Get access to this section to get all help you need with your essay and educational issues. The show centres on the Simpson family, a dysfunctional middle — class American family living in the fictitious world of Springfield.

The simpsons essential television essay

More Essay Examples on Simpsons Rubric The current era of postmodernism is colored by numerous conflicts and debates that are rooted in the multiplicity of meanings and connotations, which each postmodern object is expected to comprise - The Simpsons Essay introduction.

Whether in cinema, television, painting, or music — postmodernism works to evoke self-consciousness, diversity attitudes, and to deny the relevance of knowledge so actively spread by traditional mass media. The Simpsons is just another example of the postmodernist vision of the world, filled with cultural controversies, the lack of objective knowledge, and persistent cultural pessimism.

The Simpsons is the cinematic creation of postmodernism, intentionally designed as the instrument of cultural mockery.

The postmodern character of The Simpsons is readily observed through its intertextuality, parody, and the vague boundary between low and high culture, so characteristic of all postmodern trends.

Intertextuality is the determining feature of The Simpsons, as well as the critical element of its postmodern vision. This intertextuality establishes a new system of relationships between postmodern community and the values actively promoted by television, newspapers, and postmodern culture.

Essays, The Simpsons | Pop Culture: Politics of Media Literacy

The Simpsons creates a vision of hypocrisy which we, as postmodern members of our society cannot but take for granted. It is the hypocrisy between what we are expected to be and what we are in reality.

Moreover, it is also a sense of hypocrisy and conflict between what we are expected to be and what we do not want to be. The Simpsons deconstructs the reality in a way that makes it an object of mockery and reviews traditional cultural values from a new perspective.

Whenever Homer tries to prove to Marge that cartoons cannot have any deep meaning, or whenever Homer creates a vision of animation as of the source of cheap laughter, intertextuality comes into play as the essential element of postmodern reality de con struction, which presents our values and cultural attitudes as those that are not worth a penny and deserve to be heavily criticized.

The fact that The Simpsons as the product of animation and the product of television turn animation and television into the two central objects of mockery reveals its postmodern essence and makes its mockery even more convincing. The whole series is concentrated around watching TV, the values of the postmodern star system, the value of animation industry in general, and finally, the role which popular culture plays in shaping our worldviews.

This multidimensionality and intertextuality are the distinctive features of postmodern animation, which mocks itself and seeks to shed the light onto the emptiness and hollowness of the postmodern cultural values, to which we adhere. This reflexivity and metatextuality also suggest that postmodern values are too vague and volatile to be taken seriously, and thus can easily become the objects of cultural parody.

This parody is just another element of postmodern culture, which The Simpsons seeks to promote. Not only self-parody, but the need to mock over the majority of values and principles which for us seem acceptable and normal turns The Simpsons into the source of postmodern cultural truth however, with the multiplicity of meanings as the distinctive feature of postmodern culture, this truth is also subject to change.

This quotation reveals the complexity of postmodern interrelationships between community, values, and media. Whenever we apply to television and media as the sources of the major cultural values, we immediately forget that the latter are also the products of human creation, and to attribute the process of value creation to television as an abstract cultural notion is at least inappropriate and largely erroneous.

The Simpsons is also the product of human creation, which makes these interrelationships even more difficult to understand, but it is The Simpsons that emphasizes its own intentional commercial character and uses these commercial values as the source of parody.

On the one hand, The Simpsons uses parody to reveal the most complex facets of present day postmodern culture, as well as to explain the power and effects which mass media tend to produce on human minds. On the other hand, this very power and these very effects are used by The Simpsons creators to promote the discussed sitcom as the source of commercial profits.

Interchangeable images that mix reality with television commercials and plunge the Simpson family into the whirl of fantasies is similar to the fantasies we use to experience, when facing another bright television or newspaper ad.

This parody over Homer as The Prince of Tides or The Erotic Adventures of Hercules turn this mixture of reality and imagery into a complex postmodern parody, which, unfortunately for the majority of postmodern community, erases the boundary between the low and the high culture, and does not leave us a chance to grasp the meaning of the most important cultural values.

The vague boundary between high and low culture is characteristic of all postmodern movements, but for The Simpsons it turns into just another object of moral contemplation.

The scene where Marge and Homer attend a concert, and where the Star Wars theme is taken by Homer as an example of classical music implies that surrounded by postmodern values, we are no longer able to distinguish between real classics and its false substitutes.

True, and Alberti is correct, the mere fact that The Simpsons as the sitcom is used to disrupt the misbalanced postmodern values proves that fact that postmodern community is more likely to believe sitcom characters rather than printed media.

Whether The Simpsons is the product of high or low culture is not clear, but even if the Simpson family represents low cultural ideology, it also finds enough strength to turn this ideology into the object of parody. For Homer, such performance is too inappropriate for a piece, which for postmodern community stands out as the bright example of classical music; and this is where the postmodern crowd should finally realize the narrowing gap between mass culture and high art.

This narrow divide between the two incompatible categories, wisely combined with self-parody and intertextuality shape a new vision of postmodernism, which mocks over its own cultural hollowness and uses its power for self-deconstruction, of which The Simpsons remains one of the brightest examples.General Speech Purpose: To Inform Specific Speech Purpose: To Inform my audience about the sitcom "The Simpsons" I.

They have eight fingers, yellow skin, wacky hairdos, and a . Simpsons Semiotic analysis Essay Sample The Simpsons began life in January on American televisions. The show centres on the Simpson family, a dysfunctional middle – class American family living in the fictitious world of Springfield.

The essential resource for entertainment professionals.

Lisa writes a college application essay to Harvard and recalls disappointing past birthdays that helped shape her. S29, Ep9. The Simpsons go to Denmark so Grampa can benefit from its free health-care system.

The simpsons essential television essay

S29, Ep The Simpsons is not just another animated television show; it is the animated television show. And never has a North American cartoon had such an impact on daily living then The Simpsons.

The simpsons essential television essay

And never has a North American cartoon had such an impact on daily living then The Simpsons. Discuss The Simpsons on our TV talk forum! Go to Forum News & Features. Essential Movies.

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Essays, The Simpsons | Pop Culture: Politics of Media Literacy